The Oscar-nominated star talks about his meteoric rise to fame and life as an evolving artistic: "One's private life, one’s grownup life, will be fairly boring and the artist’s life can nonetheless be extraordinary.”
Timothée Chalamet, making historical past as the primary solo man to cowl British Vogue, has lots to say.
Within the Giles Hattersly-penned cowl story, the person described as “boyfriend to a complete technology,” opens up about his new movie, Luca Guadagnino’s cannibal love story Bones and All, his meteoric rise to fame and what life is like as an ever-evolving artist. However, Hattersly writes, Chalamet typically prefers to ask the questions relatively than supply a particular opinion on something as a “basic deflector.”
The profile doesn’t waste any time attending to a headline-worthy merchandise by arguing that Chalamet appears to have picked up the baton from onetime teen heartthrob, Leonardo DiCaprio, who, once they met in 2018, supplied up his profession rule: “No exhausting medicine and no superhero motion pictures.”
There’s no flying in Chalamet’s newest movie during which he performs Lee, a lovestruck cannibal on a street journey with a fellow eater, performed by Taylor Russell. He reveals he leaned on facets of himself for the character. “With Lee, the phantasm of management relies on feeling for nobody and never even interacting with anybody. And I suppose that’s the place I’m at.”
The Oscar nominated Chalamet, at present at work filming the second installment of Denis Villeneuve’s Dune, additionally shares an excitable response to his different upcoming mission because the title character in Wonka from director Paul King. “This film is so honest, it’s so joyous.” He admits that he has seven musical numbers, including that pushing himself creatively as an artist is thrilling.
“I hate to say it, however the dream as an artist is to throw regardless of the fuck you need on the wall, you already know? And I suppose what I’m realizing is that one’s private life, one’s grownup life, will be fairly boring and the artist’s life can nonetheless be extraordinary.”
The October 2022 problem of British Vogue, led by editor in chief Edward Enninful, is on newsstands on Sept. 20.
Photographed by Steven Meisel/Courtesy of British Vogue