It is the speak of Santa Barbara: What has change into of the hideaway on the hill?
Set excessive above 1,000 toes of shoreline, Bellosguardo (Italian for "lovely lookout") was bought by copper magnate, Senator William Clark, in 1923. He died two years later.
The Italianate residence on the 23-acre property was then torn down, and in 1933, Clark's widow, Anna, constructed the lavish, solid-concrete residence that is still immediately.
One of many richest households of the Gilded Age, the Clarks - together with daughter, Huguette - used the house solely as a summer time getaway. The shy Huguette took to artwork, spending her sun-filled days portray.
Mysteriously, the household final visited Bellosguardo in 1953. Ten years later, when Huguette inherited the 23-acre property, she gave the workers directions to by no means change a factor. Customized coverings protected the furnishings, as the home sat empty for almost 70 years, costing some $40,000 a month to take care of.
Huguette by no means returned to Santa Barbara. She spent a lot of her later life in a New York hospital, dying in 2011 at 104.
Since then, intrigue has grown over what's going to occur to Bellosguardo, after a New York Instances bestselling e book, "Empty Mansions."
Right this moment, a few of Huguette's work are on show in a brand new exhibit on the Santa Barbara Historic Museum; and later this 12 months, the inspiration that now runs Bellosguardo will open the doorways for the primary time for public excursions, lastly giving of us an opportunity to see "the gorgeous lookout" for themselves.
See additionally:
For more information:
- Bellosguardo, Santa Barbara, Calif.
- "Empty Mansions: The Mysterious Lifetime of Huguette Clark and the Spending of a Nice American Fortune" by Invoice Dedman and Paul Clark Newell, Jr. (Ballantine Books), in Hardcover, Commerce Paperback, eBook and Audio codecs, obtainable through Amazon, Barnes & Noble and Indiebound
"Huguette Marcelle Clark: A Portrait of the Artist" on the Santa Barbara Historic Museum (by way of June 12)
Story produced by Jon Carras. Editor: George Pozderec.



